Archives

Tagged ‘Global South‘
WATCH: How American Imperialism Works [in 5 Minutes]

WATCH: How American Imperialism Works [in 5 Minutes]

 

[Michael Hudson is President of The Institute for the Study of Long-Term Economic Trends (ISLET), a Wall Street Financial Analyst, Distinguished Research Professor of Economics at the University of Missouri, Kansas City. He is the author of Super-Imperialism: The Economic Strategy of American Empire (Editions 1968, 2003, 2021), ‘and forgive them their debts’ (2018), J is for Junk Economics (2017), Killing the Host (2015), The Bubble and Beyond (2012), Trade, Development and Foreign Debt (1992 & 2009) and of The Myth of Aid (1971), amongst many others.]

 

WATCH: The Afterlife of Slavery: Markets, Property & Race [Cheryl Harris]

WATCH: The Afterlife of Slavery: Markets, Property & Race [Cheryl Harris]

January 19, 2016 lecture

 

“The walls talk to me. The dust on the floors write me messages. I’m in the vents. I’m in the bulletin boards. I’m in the chipped paint. Ain’t nobody can slip through the cracks past me up in here.”

 

– MONOLOGUES FROM SKELETON CREW by DOMINIQUE MORISSEAU

 

“Despite efforts to obscure slavery and indigenous dispossession in the genealogy and narrative of American nationhood, these realities remain deeply embedded in the relationship between race and markets where in fact race and economic domination are fused. Racial hierarchy is continually replenished through the market, while the market encodes property in accord with racial regimes. For example, “black” spaces are forever unstable, subprime, and “waste,” making them always available for (re) appropriation through various technologies such as debt, (de)regulation, and development.”

– Cheryl I. Harris

“In conjunction with Cameron Rowland’s exhibition 91020000, Artists Space presents a talk by Cheryl I. Harris, Professor of Law and Director of the Center for Critical Race Studies at UCLA School of Law. Harris is the author of key texts in the field of critical race theory including “Whiteness as Property” (1993) and “Equal Treatment and the Reproduction of Inequality” (2001).” [Source: Artists Space]