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WATCH: Dr. Sohail Daulatzai: “Welcome to the Terrordome”
Published on May 22, 2013
“As the profound anti-Muslim racism of the post-9/11 era deepens, the role and place of Muslims in the U.S. is under intense scrutiny by both Muslims and non-Muslims, as questions around “radicalization,” citizenship, and belonging continue the shape these debates. But the fears of Islam and Muslims in the United States are not new. In fact, they can be traced back to the presence and legacy of Malcolm X, who sought to internationalize the struggles of Black people in the U.S. and connect them with the struggles taking place throughout the non-white world. As Malcolm X said, “the same rebellion, the same impatience, the same anger that exists in the hearts of the dark people in Africa and Asia, is existing in the hearts and minds of 20 million black people in this country who have been just as thoroughly colonized as the people in Africa and Asia.”
In framing white supremacy as a global phenomenon, and understanding the systemic roots of inequality, Malcolm X provides us with a historic lens and contemporary frame for thinking about the role and place of Muslims in the United States, as endless war is waged, racism persists and capitalism wreaks havoc around the world.”
[Sohail Daulatzai is an Associate Professor in the Department of Film and Media Studies and the Program in African American Studies at the University of California, Irvine. He is the author of Black Star, Crescent Moon: The Muslim International and Black Freedom beyond America (2012) and is the co-editor (with Michael Eric Dyson) of Born to Use Mics: Reading Nas’s Illmatic (2009). His writing has appeared in The Nation, Counterpunch, Al Jazeera, Souls, Amer-Asia, Black Routes to Islam, and Basketball Jones, amongst others. He has written liner for the 2012 release of the 20th Anniversary Deluxe Box Set of Rage Against the Machine’s self titled debut album, the liner notes for the DVD release of Freestyle: The Art of Rhyme and the centerpiece in the museum catalog Movement: Hip-Hop in L.A., 1980’s — Now.]